Como se Dice
Matias Martinez & Josee Placio
This project is focused on Latin identity and its intricacies between diasporic vs homeland artists, machismoism, and Indigenous resurgence rooted in conquered spaces controlled by years of colonized oppression. This project is from the perspective of two children of immigrants and how they reconcile the diasporic experience through discussions, workshops, and visual arts.
Calgarians invited to explore Mexican ‘Day of the Dead’ traditions
By Gil Tucker, Global News, November 1, 2023
Halloween may be over, but this week brings another celebration for a lot of Calgarians. It’s all about keeping ancient traditions alive and making new connections.
Sparrow Artspace in Calgary’s Bridgeland neighbourhood is hosting a special “Day of the Dead” public event on Saturday, Nov 4. Artists Oscar and Fabi Rios, both from Mexico City, have created several colourful figures to add to the festive atmosphere in the art gallery.
They’ll also be leading sessions on how to make colourful paper flowers and decorate traditional sugar skulls, both items important to celebrating the “Day of the Dead.”
Josee Palacio
My name is Josee Palacio, I am a 2D visual artist practicing acrylic painting and traditional printmaking methods. My current practice centers on my Nicaraguan upbringing in a Canadian landscape, where the topic of identity has always been at the core of my message. My interest lies in creating work that helps cultivate community to reflect and question issues of time, place, and identity. As an artist I introduce
Latin American Canadian narratives and strive to seek out 1 justice and love for our bodies. Through the lens of my inescapable identity, my work recognizes the historical context of my identity as a Nicaraguan Canadian by way of examining conquered spaces controlled by years of Span
Matias Martinez
I'm an Indigenous Latin American artist of Mapuche descent in Calgary, Alberta. My art blends glass, painting, and social engagement, exploring themes of Identity, Love, Memories, Experientiality, and Commonality to connect with viewers. My artistic process is organic, influenced by emotions, experiences, and music. I embrace a Rhizomatic approach, where my tools and ideas adapt to my emotional state, much like navigating different trails on a scenic hike. Recently, I've been delving into my Indigenous identity and culture, drawing inspiration from ancient stories, myths, and ways of life. I aim to merge these elements with contemporary art, shedding light on my Mapuche heritage and storytelling.
